by Catherine Cowdrey

Theatre in the Age of Coronavirus

Time & Again Theatre Company already had one performance of their Spring/Summer 2020 tour under their belts when the coronavirus pandemic struck and a nationwide lockdown was announced on23rd March this year. 

Time & Again, who are based in Manchester, UK, are a female-led company exploring all things vintage and historical in ways that are fresh and relevant for today. 

They had planned to tour two of their shows to isolated and rural communities across the country where access to the arts is limited. These were the award-winning Clouds, which tells the story of a budding aviatrix in 1913 set against a backdrop of the suffragette movement, and World War Two story Greyhounds, which follows life on the home front as a hapless group of villagers strive to put on Shakespeares Henry V to raise money for the local Spitfire fund. Both had already been tried and tested in front of Edinburgh Festival Fringe audiences where they received fantasticreviews and multiple sell-out nights. 

After every date had to be cancelled, as venues were required to close and audiences told to stay at home, writer/producer Laura Crow put her thinking cap on to figure out how the company could still share their stories in these unprecedented times. It struck her, how about an audio drama adaptation harking back to the golden age of radio? 

Audio dramas can be traced back to Clément Aders 1881 invention of the Théâtrophone, as presented at the World Expo in Paris. It allowed subscribers to listen to opera and theatre performances over telephone lines from their own homes, or via coin-operated receivers in hotels, cafés and clubs at the princely sum of 50 cents for five minutes of listening. 

However, audio drama as we now know it began to gain popularity in the 1920s with the advent of the British Broadcasting Corporation (BBC) and Pittsburghs KDKA, and it quickly became more common than not to have a radio in the household. Perhaps the most famous audio drama broadcast of all came a number of years later in 1938, when Orson Welles’ The War of the Worlds took to the airwaves across America. Due to the declarations of “breaking news” in the first half of the show, large numbers of listeners believed that a Martian invasion was actually taking place. 

During World War II, listening to the radio was a universally popular pastime. Audio dramas provided listeners with a much-needed escape from reality, as well as providing the worlds nations with a means of broadcasting propaganda to the public. The BBC produced series such as Front Line Family which ran from 1941 to 1948. It shared the ups and downs of the Robinson family as they lived through the war, featuring plots about rationing, the blitz and loved ones missing in action. This was broadcast to America in an effort to encourage the US to enter the war. 

There are clear parallels to be drawn between life in lockdown and wartime living – who knew wed get to try out queuing for dwindling supplies of groceries? Thus, it seemed fitting that the world of Greyhounds should be brought to life across a series of short online episodes. Supported by The Library Presents… In Your House programme, Time & Again employed a bit of “make do and mend” spirit in putting the series together. Each of the 13 actors recorded their lines separately from their own homes (after some rehearsal via Zoom!) and all manner of household items played their parts – rather creatively – to produce sound effects! 

The company has also launched an accompanying podcast “Then Again: Behind Big Moments in History” which looks at the everyday, social history behind some pivotal moments in time. In the first four episodes, Time & Again’s actors uncover information about all aspects of the home front in World War II, from rationing to propaganda and beyond. If youve got a yearning to learn about Potato Pete – you know where to go! 

Greyhounds was written by Laura Crow and you can listen to it on the Time & Again Theatre website

Cast:
Laura Crow, Catherine Cowdrey, Fiona Primrose, Tim Cooper, Jacob Taylor, Jacqueline Wheble, Paul Wilson, Anthony Morris, Katherine Reynolds, Adam Martin-Brooks, Samantha Vaughan, Kendal Boardman, Benjamin Hynes

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